|Abudanza art journal page|
...now go, Journal, go! Every once in a while I get to feeling a little guilty for neglecting my "Art Journal". It's basically a chronological catch-all for experiments that scratch an itch for slapping some paint around, maybe even a little modeling paste, and of course gluing stuff down.
There's no rhyme or reason for these pages appearing together other than they happened close in time. One idea doesn't necessarily lead to another but they may be acquainted.
First page shown hides at least one if not two layers of *ugh*. Going for that distressed texture was a no-brainer even though the color combination was a process of trial and error. The raised lettering is a result of paste and stencils. Note: seal them after the first coat of paint otherwise any wiping tends to strip the pigment off. In this case it was a happy accident. The lovely wench image comes by way of dried pasta packaging. You just never know...
|Copper Fetish art journal page|
The second page actually was the first to be prepared -- stamping washers and screens into modeling paste - and then nothing for weeks. The color combinations here too took some trial and error: I have something in mind, it doesn't go as planned, so then I try this and then that until finally I can live with it. The dusting with Pearl-Ex powder mixed with gum arabic over the raised surface felt like redemption. It's the rug that ties the room together.
Ok, I snuck in a little stitching, just to fix the copper scrap to the double fabric layer. (That too was a gift from the Art Gods & Goddesses.)
|Hydrangea art journal page|
I love purple and have a lot of it in paint form because I didn't realize how ginormous 4 ounces of it is. Note: stamping with pigment ink on acrylic doesn't work well so try a coat of clear gesso first. The flower stamps still aren't saturated and crisp but they're sufficient for delivering enough yellow to pick up on the magazine image and its fabric "frame".
My pride and joy here is the stencil I made from a sheet of acetate and a heat pen. I found the design in a Dover clip art book of - wait for it - stencil designs which I scanned and enlarged in Photoshop. I know there are scads of ready made out there but my imperfect rendition(s) suit my primitive style better.
These turned out to be fruitful exercises - light modeling paste and stencils are fun to play with and I'm eager to incorporate them into more pieces. And I'm confident they can play well with stitching.
In case you were wondering...